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relation to Hollywood cinema代写

             Assessment task 3: SHORT ESSAY
Please write a case study on one of the following questions. The case study must include a discussion and engagement in a methodological approach, namely political economy, ethnography, or textual analysis.
You must not write on the same topic as you wrote your short essay.
Your analysis should take the form of a 1400 word essay, with an introduction, body and conclusion. You must consult a minimum of 3 academic sources in addition to the relevant material in the reader. You are allowed to write about music/youth subcultures etc that we have not studied in the course.
Assessment criteria:
Demonstrated understanding of concepts from weeks 1-12; structure and organisation of your argument; quality of research and referencing; fluency of expression.
Due date: Tuesday, 11th June, 2012, 4.30pm (to be submitted ONLINE via 'turnitin') YOU WILL BE PENALISED 10 MARKS PER DAY LATEQuestions
    1.                 How does music constitute ‘affective belonging’? Discuss within the bounds of a case study on a particular music genre. You might want to conduct an ethnography of a particular scene or event.
    2.                 What are the ways in which ‘world music’ as a genre makes the music of the developing world into a commodity for the western world? Discuss within the bounds of a case study on a musician, a specific type of music from a developing nation, or a world music festival.
    3.                 What role does ‘contemporary Aboriginal music’ play for Aboriginal Australians in relation to postcolonial Australia? Discuss within the bounds of a case study on an Aboriginal Australian musician or band.
    4.                 Discuss Bollywood musicals in relation to Hollywood cinema. What does this relationship indicate in ideological terms? Thinking about postcolonialism, postmodernism and appropriation.
    5.                 What role does music play in television programmes? Discuss within the bounds of a textual analysis on one television programme.
    6.                 How might we understand singing contest shows, such as The Voice and the Idol franchises, in terms of Adorno and Horkheimer's ideas of 'the culture industry'?
    7.                  How do music videos operate ideologically? Discuss within the bounds of a textual analysis on a particular musician or band and their representation of gender, or, ethnicity, or, class, or, sexuality, in their videos.
    8.                 Your own question – please consult with your tutor.